Tron: Legacy review
I have always had a romantic attraction to the "could have been"s, the aesthetics that die early or fail to become popular but feel like in an alternate universe just next door they could have been wildly successful. Beethoven's Ninth Symphony has always struck me like this; even as the Classical music period gave way into the Romantic period and harmonies get ever wilder until they run entirely off the rails in the twentieth century, it always felt to me like the Ninth could have been the foundation of a different aesthetic than the one we actually got. (A matter of opinion, of course.) It's a fully-formed masterpiece from the could-have-been.
I like to watch the "How the Movie Was Made" documentaries for movies from the Star Wars era up to the late ninties, because I love to see all the dead special effects techniques; the wonderful models, the animatronics, all the clever tricks they play, all interesting in exactly the same way that watching the documentaries for a 2010 movie are very uninteresting, seeing as how they all boil down to "And then we used a computer". I wonder what movies we'd be seeing if somehow computers were impractical for special effects and these techniques continued to be refined and honed.
And there's a smattering of other such things I enjoy. In the movie domain, many of them end up becoming what we call "cult classics", movies that may be awesome or may be fundamentally terrible but are above all else different. Buckaroo Bonzai, the David Lynch version of Dune, and, as telegraphed by my title, Tron.